{"title":"Ossom Records","description":"","products":[{"product_id":"sven-wunder-wabi-sabi-lp","title":"Sven Wunder - Wabi Sabi (LP)","description":"\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"no-bullets static-atr\"\u003e\n\u003cli\u003eNumber of discs:\u003cspan\u003e 1\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eColor: Black\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eLabel:\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003ePiano Piano\u003c\/span\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eCatalog Number:\u003cspan\u003e \u003cmeta charset=\"utf-8\"\u003ePP1002-2\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"description-text\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eOverview\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"description\"\u003e\n\u003cdiv\u003eSecond release on Piano Piano from Sven Wunder.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eAppeals to both psych and prog listeners, folk or jazz aficionados and as well the gourmet hip hop connoisseurs.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eBy welcoming the beauty of imperfection and simplicity, Sven Wunder applies the timeless wisdom of wabi sabi on this musical journey. What you can hear is filtered through Ukiyo-e (which translates as “pictures of the floating world”), which illustrates everyday life, as well as through Japonism, the study of Japanese art, and more specifically its influence on European works. The result is a surface that creates an illusion by sound. The infusion of Min’yō with jazz-rock, this hazy scene evokes the landscape of Monet’s ”The Water Lily Pond”, which depicts the painter’s Giverny garden, with a Japanese bridge, bamboo, ginkgo trees and the reflection of the sky in the pond. This illusion constructs both time and space.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eThe surface of the music, like the canvas of the painting, invents a journey between now and then by interpreting the idiom of folkloric and western art instruments. In this composition, the sound of the Western concert flute, which stretches back to the Renaissance and Baroque periods, evokes the sound of the bamboo-flute (”shakuchachi”), which reached its peak during the Edo period. The guzheng, also known as the Chinese zither, with a more than 2,500 year history, joins traditional Japanese folk melodies with modern pop percussion and 20th century electronic instruments such as the Moog synthesizer, Wurlitzer electric piano and electric bass.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eThis is the illusion that celebrates the fleeting nature of all things. A journey. A deep inhale and a slow exhale. It has a mix of jazz (both funky and progressive), East Asian and South Asian sounds. The idea of fusing these styles and reframing them with the aesthetic of wabi sabi is to reconnect with nature and concentrate on asymmetries and emphasize ornamentation to generate new ways of looking at the world, here and now.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eThis record is produced with financial support from the Swedish Arts Council.\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Ossom Records","offers":[{"title":"Default Title","offer_id":49664496730454,"sku":"","price":38.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2659\/files\/9371059ddf.jpg?v=1736852001"},{"product_id":"prince-jammy-kamikazi-dub","title":"Prince Jammy - Kamikazi Dub (LP)","description":"\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"no-bullets static-atr\"\u003e\n\u003cli\u003eNumber of discs:\u003cspan\u003e 1\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eColor: Black\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eLabel:\u003cspan\u003e Jamdung\u003c\/span\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eCatalog Number:\u003cspan\u003e \u003cmeta charset=\"utf-8\"\u003eJD002\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"description-text\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eOverview\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"description\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\"Kamikaze Dub\" by Prince Jammy is undoubtedly one of the most beloved albums by dub music lovers and a record to have in every self-respecting record collection. An album for any time of the day, or season, that never bores and indeed has aged very well always amazes and stimulates.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eRe-released for JAMDUNG distributed exclusively by KUDOS in limited edition LP from the original master tapes is available again at an affordable price, but hurry!\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eJamaican Dub music first appeared in the mid-70s under the guidance of the creative master mind, King Tubby. By the late 70s, two of his top co-workers, Scientist and Prince Jammy were ready to branch out on their own, and they did.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eJammy's record came out first and that's why \"Kamikaze Dub\" (1979) is often cited as the album that raised the bar for good. After its release, many Jamaican producers aspired to create the same swirling psychedelic minimal sound that Jammy presented on these near perfect tracks.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThe musicianship on here is outstanding as well, with other Dub stars taking part such as Sly and Robbie on drums and bass, Augustus Pablo on keyboards, 'Deadly' Headley Bennett and Bobby Ellis on horns, as well as many others.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eStunning cover artwork, which, like the album title and songs, is inspired by 1970s Kung Fu Movie\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eEssensial\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e","brand":"Ossom Records","offers":[{"title":"Default Title","offer_id":49665004962134,"sku":null,"price":29.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2659\/files\/c41e3ec858.jpg?v=1736860900"},{"product_id":"edmundo-arias-guepa-je-cumbia-porro-the-sound-of-colombia-s-caribbean-pacific-coasts","title":"Edmundo Arias - Guepa Je! Cumbia, Porro \u0026 the Sound of Colombia’s Caribbean \u0026 Pacific Coasts (LP)","description":"\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"no-bullets static-atr\"\u003e\n\u003cli\u003eNumber of discs:\u003cspan\u003e 2\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eColor: Black\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eLabel: Radio Martiko\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eCatalog Number:\u003cspan\u003e \u003cmeta charset=\"utf-8\"\u003eRMLP012\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"description-text\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eOverview\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"description\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003eThis album takes you back to Colombia of the 50s and 60s. In those days, the tropical music of the Caribbean and Pacific coasts took over the country's mainland music scene by storm. One of the key figures during this period was Edmundo Arias. Together with Lucho Bermúdez and Pacho Galán, Arias is seen as one of the ‘big three’ composers of Colombian tropical music.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eHe was a rather introverted person who avoided being in the spotlight at all cost, leading to his work being less known than his contemporaries. With this album we hope to highlight the amazing legacy Edmundo Arias has left us. Think of big bands with sharp dressed musicians playing the finest cumbias, porros and other tropical sounds in fancy ballrooms on a hot evening in Medellin or Bogota.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eLiner notes:\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eEdmundo Dante Arias Valencia was born in Tuluá, Valle del Cauca, on the 5th of November 1925. He came from a family of musicians. His father, Joaquín Arias Cardoza was a band leader and composer who taught his children to play music. Arias learned to play many instruments such as the guitar, bass, bandola (pear shaped string instrument related to the mandolin), tiple (12 string guitar), clarinet and saxophone. He proved to be a very talented musician and together with his father and his older brother Ricaurte he formed the ‘Trio Arias’. The family lived in different cities across Colombia depending on where they found work. When his father died unexpectedly in 1948, Edmundo and Ricaurte had to support their family working as musicians. In 1951, Arias decided to move to Medellín, in those days the heart of the Colombian music industry and the city where the most important record companies and the best musicians were based. It didn’t take long before Arias made a name for himself as a musician, composer, arranger and band leader for Colombia’s leading labels at the time; Zeida, Ondina, Silver and Sonolux. For the latter, he would eventually become the artistic director. Over the years, he wrote hundreds of songs, recorded many albums with his own orchestras or with the Orquesta Sonolux and collaborated with a countless number of musicians, often uncredited.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTogether with Lucho Bermúdez and Pacho Galán, Edmundo Arias is seen as one of the ‘big three’ composers of the tropical music of Colombia. But despite the fact that Arias was renowned, very little is known about his personal life. He was a humble man who preferred to work in the background and avoided being in the spotlight at all cost. He declined interviews and kept away from public life. On some live performances of the orchestra that carried his name, Arias asked one of his musicians to pretend to be him, so that he wouldn’t have to come on stage. You might think that Arias was shy or anti-social, but this was not the case. Most people he worked with described him as a very jovial, good humoured person and enjoyed working with him.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eHis invisibility in public life belied how present he was behind the scenes. If he wasn’t working on his own productions, he was regularly collaborating with other musicians. Arias had his hand in the work of many of his colleagues and was a mentor for young artists. Some even say that in those days all the musicians in Medellín had worked with Arias in one way or the other. He had a strict working regime: composing, arranging and recording at night while sleeping during the day. He was also very productive. The story goes that on one occasion, he wrote arrangements for a 16 piece band in just a few minutes while the band was recording another song. His hard work and productiveness resulted in hundreds of compositions and many records that carry his name.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eEdmundo Arias’ career ran over 6 decades until his death on the 29th of January 1993. Over the years, he left us a huge legacy. The songs on this record are a selection of his work during the 50s and 60s. Many see this period as the absolute highlight of his career. We picked out the songs we consider to be the most outstanding recordings from this period. The title of this compilation Guepa Je! is Colombian slang often used in cumbia to express joy or to celebrate. A free translation would result into something like ‘yeah’, ’let’s go’ or ‘groovy’. I guess this title says enough. Enjoy the music. Guepa Je!\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e","brand":"Ossom Records","offers":[{"title":"Default Title","offer_id":49665013973334,"sku":null,"price":42.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2659\/files\/dcf5ba84ed.jpg?v=1736867983"},{"product_id":"mort-garson-mother-earths-plantasia","title":"Mort Garson - Mother Earth's Plantasia (LP)","description":"\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"no-bullets static-atr\"\u003e\n\u003cli\u003eNumber of discs:\u003cspan\u003e 1\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eColor: Green\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eLabel: Radio Sacred Bones\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eCatalog Number:\u003cspan\u003e \u003cmeta charset=\"utf-8\"\u003eSBR3030LP-C1\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"description-text\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eOverview\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"description\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eIf you purchased a snake plant, asparagus fern, peace lily, or what have you from Mother Earth on Melrose Avenue in Los Angeles (or bought a Simmons mattress from Sears) in 1976, you also took home Plantasia, an album recorded especially for plants. Subtitled \"warm earth music for plants…and the people that love them,\" it was full of bucolic, charming, stoner-friendly, decidedly unscientific tunes enacted on the new-fangled device called the Moog.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFew characters in early electronic music can be both fearless pioneers and cheesy trend-chasers, but Garson embraced both extremes, and has been unheralded as a result. When one writer rhetorically asked: \"How was Garson's music so ubiquitous while the man remained so under the radar?\" the answer was simple. Well before Brian Eno did it, Garson was making discreet music, both the man and his music as inconspicuous as a Chlorophytum comosum. Julliard-educated and active as a session player in the post-war era, Garson wrote lounge hits, scored plush arrangements for Doris Day, and garlanded weeping countrypolitan strings around Glen Campbell's \"By the Time I Get to Phoenix.\"\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Ossom Records","offers":[{"title":"Default Title","offer_id":49665030357334,"sku":null,"price":39.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2659\/files\/314831c89e.jpg?v=1736861655"},{"product_id":"mulatu-astatke-ethio-jazz","title":"Mulatu Astatke - Ethio Jazz (LP)","description":"\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"no-bullets static-atr\"\u003e\n\u003cli\u003eNumber of discs:\u003cspan\u003e 1\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eColor: Black\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eLabel: P-Vine\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eCatalog Number:\u003cspan\u003e \u003cmeta charset=\"utf-8\"\u003ePLP-7449\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"description-text\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eOverview\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"description\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"release-show\" id=\"content\"\u003e\n\u003cdiv class=\"description-area\"\u003e\n\u003cdiv class=\"description\"\u003e\"Ethio Jazz\" is an album released by the Ethiopian master musician Mulatu Astatke in 1974 on his homeland Ethiopia's Amha Records. It stands as a milestone not only in his career but also in the history of contemporary Ethiopian music, continuing to shine brightly. With melancholic melodies played by wind instruments, a polyrhythmic rhythm section creating robust waves, sultry vibes from the vibraphone, and smoky organ tones, the album is enveloped in the sounds of jazz inherited from the States. This work, where various musical elements are miraculously fused in perfect balance, undoubtedly reigns at the pinnacle of Ethio Jazz, showcasing Mulatu's ambitious creativity in seeking out new sounds.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Ossom Records","offers":[{"title":"Default Title","offer_id":49665040154966,"sku":null,"price":40.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2659\/files\/dfd7289069.jpg?v=1736862062"},{"product_id":"va-like-someone-i-know-a-celebration-of-margo-guryan","title":"VA - Like Someone I Know: A Celebration of Margo Guryan (LP)","description":"\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"no-bullets static-atr\"\u003e\n\u003cli\u003eNumber of discs:\u003cspan\u003e 1\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eColor: Red\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eLabel: Sub Pop\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eCatalog Number:\u003cspan\u003e \u003cmeta charset=\"utf-8\"\u003eSP1644X\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"description-text\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eOverview\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"description\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"content\" class=\"release-show\"\u003e\n\u003cdiv class=\"description-area\"\u003e\n\u003cdiv class=\"description\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003eMost of our stories about cult musicians who make an album or two and then seem to vanish are framed by grief, despair, and frayed ambition. Not so with Margo Guryan, an ardent jazz anomaly who disdained pop music until hearing “God Only Knows” in 1966, opening a window onto the wonders that form could contain. Only two years later, she released her own set of little pop symphonies, Take a Picture, to great praise and expectation. But, having already divorced the hard-gigging valve trombonist Bob Brookmeyer, she declined to tour or even talk about it all that much, content even if her reticence meant Take a Picture was soon consigned to discount racks and cutout bins. She wrote and recorded for years to come, even collaborating with Neil Diamond’s band, but mostly she seemed satisfied by her relatively private life.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eAs befits music so stunning and subtle, Guryan, who died in 2021, has enjoyed several renaissances during the last six decades. And now, it’s happening again: Soon after her near-whispered and lovelorn hymn “Why Do I Cry” made her a TikTok star in 2021, the same year she passed, Numero Group launched a reissue campaign, resulting in the acclaimed 2024 set, Words and Music. And now, a dozen artists—none of whom were born when Take a Picture was made, most of whom weren’t even born for a crucial early reissue by Franklin Castle—have reinterpreted and reimagined that entire album (plus one bonus track) for Like Someone I Know: A Celebration of Margo Guryan. Empress Of, Margo Price, Clairo, June McDoom: They all affirm Guryan’s sharpness as a songwriter and the brilliance of an album that has far outstripped whatever promotional cycle Guryan rejected so long ago.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eGuryan was born to a sprawling family in Far Rockaway, when the place was still mostly framed by trees. While a composition student at Boston University, Guryan stumbled into a gig playing piano between Miles Davis Quintet sets, signed a songwriting deal with Atlantic Records, and botched a session with Nesuhi Ertegun. But she wasn’t looking to be a singing star. In 1959, she headed to the Lenox School of Jazz in the Berkshires to write for Ornette Coleman and Don Cherry, earn the attention of instructor Max Roach, and find a longtime mentor and friend in Gunther Schuller. She became an accomplished lyricist, writing not only for Coleman and Nancy Harrow but also for Harry Belafonte and Gary MacFarland.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eBut it was that subsequent encounter with the Beach Boys that opened the trap door for Guryan to Take a Picture and scores of other super songs, many of which appear on Words and Music. Take a Picture is a sophisticated survey of mid-20s romance and indecision, from the flirty romp of “Sunday Morning” and falling-for-you affirmation “Can You Tell” to the desperate helplessness of “What Can I Give You.” Her perpetually soft voice, audacious songcraft, and complete candor: Guryan, in 1968 and beyond, was making daring music, no matter how gently those sounds seemed to move.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eWith a portion of proceeds being donated to providing and advocating for affordable reproductive health services, Like Someone I Know reinforces the strength of Guryan’s songs by allowing a dozen different artists to take them for trips of their own. The core always remains, unwavering. McDoom stretches static and harmony beneath “Thoughts,” as if they’re spinning on a dub plate beneath her arcing vocals. Rahill lets “Sun” unfurl over harmonium drone and entrancing percussive ticks, digging into Guryan’s interest in the surreal. Frankie Cosmos and Good Morning take a country shuffle through “Take a Picture,” entwined vocals falling over the rhythmic skips with perfect romantic relish. Over the last few decades, it has become increasingly clear just how good Guryan was, how sturdy her songs have been amid varying tides of taste. Like Someone I Know offers absolute validation, a testament to the enduring relevance and brilliance of Guryan's work.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Ossom Records","offers":[{"title":"Default Title","offer_id":49665050771798,"sku":null,"price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2659\/files\/72f165126a.jpg?v=1736862280"},{"product_id":"tella-up-and-away","title":"Σtella - Up And Away (LP)","description":"\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"no-bullets static-atr\"\u003e\n\u003cli\u003eNumber of discs:\u003cspan\u003e 1\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eColor: Blue\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eLabel: Sub Pop\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eCatalog Number:\u003cspan\u003e \u003cmeta charset=\"utf-8\"\u003eSP1483\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"description-text\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eOverview\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"description\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"release-show\" id=\"content\"\u003e\n\u003cdiv class=\"description-area\"\u003e\n\u003cdiv class=\"description\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eΣtella makes her Sub Pop debut with the mesmerizing Up and Away, an old-school pop paean to the pangs and raptures of love. From the Greek folk-inflected get-go, we’re swept up in Σtella’s world – and it’s quite the captivating place to be. The singer-songwriter joined forces with artist and producer Tom Calvert (aka Redinho), and it was a match made in Athens; the results are heavenly. Tom caught one of Σtella’s gigs on a visit to the city.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eHe reached out, they started hanging out, and the pair soon clicked creatively. Both mention chemistry when asked about their collaboration and it’s clear, from what we hear, they had it in spades. The meld is seamless. Σtella’s songs have always riffed on American and Greek mid-century pop but Up and Away doubles down on the vintage aesthetic. Tom says he styled the record “as if it was a rare gem from the ’60s found in a box of records in Athens,” and Σtella notes she was ready for a more “deeply Greek touch – it felt comfortable and right, smoothly fusing with the pop.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe bouzouki appears on a full five tracks played by Christos Skondras who, she says, “was brilliant at improvising,” while Sofia Labropoulou on the kanun “brought an insane amount of dreaminess to the last two songs. Having these amazing musicians play for Up and Away – I couldn’t be more grateful.” While not exclusively a confessional artist, Σtella is always intimate – when she sings, it’s personal. She writes “about things I feel passion for. Stories about me, about others, about all that’s there in love and war.” Σtella was “in a very emotional state at the time, which came through in the lyrics and vocals.” And it’s true, her honeyed voice – layered in those unmistakable harmonies of hers – thrillingly runs the gamut from tender to terse, by turns bracing and smitten, aching and forlorn.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBut it’s the lyrics that feel key. Across her output, Σtella has proven herself a strong storyteller, and Up and Away is no exception (the guise of the medieval bard she assumes on the cover is telling). Past releases have been studded with gem-like vignettes – a diverse array of stories set tightly together to form non-linear narratives unified by emotion. Her latest feels singular in that it seems to trace a longer-form tale across songs, with each track escalating the record’s erotic arc. By the end of the album, Up and Away’s core concerns are clear: the conflicting and conflicted emotions inherent in love, that live on in ways we can’t always understand or control. Love is like this record: when it’s over, you still feel it for time to come.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Ossom Records","offers":[{"title":"Default Title","offer_id":49665058898262,"sku":null,"price":29.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2659\/files\/4bdfa55395.jpg?v=1736862553"},{"product_id":"mac-demarco-2-demos","title":"Mac Demarco - 2 Demos (Tape)","description":"\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"no-bullets static-atr\"\u003e\n\u003cli\u003eTape\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eColor: Transparent Green\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eLabel: Captured Tracks\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eCatalog Number:\u003cspan\u003e \u003cmeta charset=\"utf-8\"\u003eCTSP005CASS\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"description\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"release-show\" id=\"content\"\u003e\n\u003cdiv class=\"description-area\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Ossom Records","offers":[{"title":"Default Title","offer_id":49665074954582,"sku":null,"price":16.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2659\/files\/f86118abd0.jpg?v=1736863057"},{"product_id":"mac-demarco-old-dog-demos","title":"Mac Demarco - Old Dog Demos (Tape)","description":"\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"no-bullets static-atr\"\u003e\n\u003cli\u003eTape\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eColor: Transparent Yellow\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eLabel: Captured Tracks\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eCatalog Number:\u003cspan\u003e \u003cmeta charset=\"utf-8\"\u003eCTSP051CASS\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"description\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"release-show\" id=\"content\"\u003e\n\u003cdiv class=\"description-area\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan class=\"description-text\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eOverview\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"description-area\"\u003e\n\u003cspan class=\"description-text\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"description-area\"\u003e\n\u003cdiv\u003eMac DeMarco gives you a selection of demos – one of which was previously left on the cutting room floor – and instrumentals from 2017's This Old Dog.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eOver the past few years we have watched Mac develop from a cult artist to a standout figure amongst the realm of the indie mainstream. From bedroom sessions to a string of critical accolades, high sales, and sold out tours all over the world, Mac stands as an inspiration for the young musician tinkering with their 4-track tape recorder in a suburban bedroom – a sincere example of humble beginnings and honest hard-earned acclaim.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThese recordings give an intimate view into the world of Mac DeMarco, taking listeners back to the roots of Mac’s writing and recording straight from his own bedroom ‘Jizz-Jazz’ studios. Old Dog Demos, a 15-song LP that is divided into Demos on Side A and Instrumentals on Side B, is a truly special release.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Ossom Records","offers":[{"title":"Default Title","offer_id":49665088749910,"sku":null,"price":20.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2659\/files\/b037e79053.jpg?v=1736864105"},{"product_id":"mj-lenderman-manning-fireworks-tape","title":"Mj Lenderman - Manning Fireworks (Tape)","description":"\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"no-bullets static-atr\"\u003e\n\u003cli\u003eTape\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eColor: Black\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eLabel: Dear Life Records\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eCatalog Number:\u003cspan\u003e \u003cmeta charset=\"utf-8\"\u003eDLR058CASS\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"description\"\u003e\n\u003cdiv id=\"content\" class=\"release-show\"\u003e\n\u003cdiv class=\"description-area\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"description-text\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eOverview\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"description-area\"\u003e\n\u003cspan class=\"description-text\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"description-area\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eMJ Lenderman — the North Carolina-based singer, songwriter, and musician — announces his new album, Manning Fireworks, out September 6th via ANTI-, and releases the lead single\/video, \"She's Leaving You.\" Following last year's \"triumphant live album\" (Pitchfork), And the Wind (Live and Loose!), and 2022's surprise breakthrough Boat Songs, Manning Fireworks is an instant classic of an LP. M] lets us in on his frank observations on the intersection of wit and sadness. The punchlines from his previous albums are still here, as are the rusted-wire guitar solos that have made him a favorite for indie rock fans looking for an emerging guitar hero. But there's a new sincerity, too, as Lenderman lets listeners clearly see the world through his warped lens. Today's single, \"She's Leaving You,\" is a half-sneering portrait of a middle-aged man cheating his way through a midlife crisis, at least until he gets caught and blasts Clapton in a rented Ferrari en route to Vegas. It also happens to be the perfect shout-along anthem for any kid who's ever felt shortchanged by their parents. The songs accompanying video, another instant classic, was directed by Whitmer Thomas and Clay Tatum. Per the directors, think \"Creed Thanksgiving Half-Time Show' mixed with \"Smells Like Teen spirit\" mixed with '\"Drop Dead Gorgeous.\"\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIf we flashback to 2021 , no one paid too much attention when Jake Lenderman recorded Boat Songs, his third album released under his initials, MJ Lenderman. Before he cut it, after all, he was a 20-yearold guitarist working at an ice cream shop in his mountain hometown of Asheville, North Carolina, getting away for self-booked tours of his own songs or with the band he'd recently joined, Wednesday, whenever possible.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBut as the pandemic took hold just as he turned 21 , Lenderman—then making more money through state unemployment than he had ever serving scoops—enjoyed the sudden luxury of free time. Every day, he would read, paint, and write; every night, he and his roommates, bandmates, and best friends would drink and jam in their catawampus rental home, singing whatever came to mind over their collective racket. Some of those lines stuck around the next morning, slowly becoming 2021 's self-made Ghost of Your Guitar Solo and then 2022's Boat Songs. With its barbed little jokes, canny sports references, and gloriously ragged guitar solos, Boat Songs became one of that year's biggest breakthroughs, a ramshackle set of charms and chuckles. Much the same happened for Wednesday. Suddenly, people were paying a lot of attention to what Jake Lenderman might make next.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe answer is Manning Fireworks, recorded at Asheville's Drop of Sun Studios during multiple fourday stints whenever Lenderman had a break from the road. Co-produced with frequent collaborator Alex Farrar, Lenderman plays nearly every instrument here. It is not only his fourth full-length and studio debut for ANTI-, but also a remarkable development in his story as an incredibly incisive singer-songwriter, whose propensity for humor always points to some uneasy, disorienting darkness. He wrote and made it with full awareness of the gaze Boat Songs had generated, how people now expected something great. Rather than wither, however, Lenderman used that pressure to ask himself what kind of musician he wanted to be—the funny cynic in the corner forever ready with a riposte or barbed bon mot, or one who could sort through his sea of cultural jetsam and one-liners to say something real about himself and his world, to figure out how he fits into all this mess. He chose the latter.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThere are feelings of self-doubt, world weariness, and worry present here, but the conditions are rendered with a clarity and care that make his songs feel like short films. However, none of this is esoteric or obscure, Lenderman simply offers everyday anxieties and enthusiasms in uncanny ways. There is an abiding sadness to Manning Fireworks, but it feels friendly and familiar, the kind of troubles you've always known.Lenderman is still sorting through the kinds of songs he wants to write and remembering they can go anyv%'here he wants—much like they did back at those late-night house jams, no matter who is now looking.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Ossom Records","offers":[{"title":"Default Title","offer_id":49665134100822,"sku":null,"price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2659\/files\/299a9c767a.jpg?v=1736868017"},{"product_id":"caetano-veloso-s-t-lp","title":"Caetano Veloso - S\/T (LP)","description":"\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"no-bullets static-atr\"\u003e\n\u003cli\u003eNumber of discs:\u003cspan\u003e 1\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eColor: Black\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eLabel: Third Man Records\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eCatalog Number:\u003cspan\u003e \u003cmeta charset=\"utf-8\"\u003eLP-THIR-248\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"description\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"release-show\" id=\"content\"\u003e\n\u003cdiv class=\"description-area\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Ossom Records","offers":[{"title":"Default Title","offer_id":49665160937814,"sku":null,"price":38.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2659\/files\/R-4095953-1565826375-4075.jpg?v=1736865618"},{"product_id":"last-days-of-april-ascend-to-the-stars-cd","title":"Last Days Of April - Ascend To The Stars (CD)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eLabel: Bad Taste Records\u003c\/p\u003e\n\u003cp\u003eFormat: CD\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eStyle: Alternative\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eCat. 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No. : \u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eBCR017LP\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eCondition: Sealed\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"description-text\"\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eOverview\u003c\/span\u003e\u003c\/strong\u003e\u003cspan class=\"line\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"description\"\u003e\n\u003cdiv\u003eThe wait is over, Return To The 37th Chamber is El Michels Affair’s highly anticipated follow up to 2009's underground cult classic Enter the 37th Chamber. Churning out classic records since then for the likes of Lee Fields, The Arcs, The Shacks, and tons more, it is clear that EMA's signature sound is stronger \u0026amp; sharper than ever.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eThis time, in addition to re-interpreting the Wu compositions for a live band, EMA pays homage to the production and sonic fog that makes a RZA beat so recognizable. Producer and bandleader Leon Michels recorded the album completely analog, sometimes hitting 6 generations of tape before it was ready for mixing, giving the Return to The 37th Chamber it’s own hazy sound. Adding to the unique fidelity, the record is laced with psychedelic flourishes, “John Carpenter” synths, heavy metal guitars, triumphant horns, and traditional Chinese instruments that make up for the lack of the Wu’s superlative vocals. From start to finish it’s a dark trip that walks the line between RZA’s timeless hip-hop aesthetic and the cinematic soul EMA has become known for.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eEl Michels Affair tackles some classics like 4th Chamber and Wu Tang Aint Nuthin to Fuck Wit, as well as some deeper cuts like Ol Dirty Bastard’s Snakes, Raekwon’s Verbal Intercourse, and Shaolin Brew, Wu-Tang’s contribution to the St. Ide’s Hip Hop endorsement campaign from 1994. This time El Michels brings some of the Big Crown family along for the ride. Lee Fields handles vocal duties on Snakes and is joined by Shannon Wise of The Shacks for their version of Tearz, which pays as much homage to the Wendy Rene sample as it does to the Wu-Tang Clan. Lady Wray makes an appearance on the cover of Method Man’s hit, All I Need, lending her vocal prowess to what gave the Wu one of their biggest hits of all time. Interspersed throughout the record are some original interludes that are like the “rug that ties the room together,” giving Return To The 37th Chamber a cinematic narrative that makes it a proper El Michels Affair record and not just a collection of covers.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eThe vinyl version of Return To The 37th Chamber is presented with 4 different hand painted covers. The originals were painted on two sewn together flour sacks in Accra, Ghana by Heavy J and Stoger, two artists who are legends in the Ghanaian Mobile Cinema scene and regular contributors to the Deadly Prey Gallery’s collection in Chicago.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eFrom the music to the presentation, this album is a perfect example of what can only be achieved through diversity. The end result is as much a kaleidoscope of influences and multiculturalism as the city it was recorded in. El Michels Affair is once again, “sounding out the city” that raised them, pulling elements of art and culture from across the country and around the globe to create an album truly unique in it’s own right.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Ossom Records","offers":[{"title":"Default Title","offer_id":49665427308886,"sku":null,"price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2659\/files\/big-crown-records-el-michels-affair-return-to-the-37th-chamber-lp-lp-349223001716-bcr017lp-photo-photo-photo-22552839309_1800x1800_e3d0361f-db6c-4cf5-962d-3693b537e232.jpg?v=1736869627"},{"product_id":"antonin-en-silence-lp","title":"Antonin - En Silence (LP)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLabel: Ekleroshock Records\u003c\/li\u003e\n\u003cli\u003eFormat: LP Black\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eStyle: \u003cmeta charset=\"utf-8\"\u003eFrench, Alternative Pop\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eCat. No. : \u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eEOS102\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eReleased: 2023\u003c\/span\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"description-text\"\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eOverview\u003c\/span\u003e\u003c\/strong\u003e\u003cspan class=\"line\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"description\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eA nomad in France and elsewhere, a dandy of the highways and byways, Antonin carries his poetically gaunt figure along the beaches of Cap-Ferret, where he is originally from, his long Cossack hair and his profile of a night owl with a sharp sweetness. Born \"sea-drunk\", he grew up in a wooden hut on the sand in the middle of the pines, and his only masters are time, the ocean and the six strings of his acoustic guitar. His music is like him: sun-drenched, free as air, necessary as water. Heady pop ritornellos, ballads to sing in chorus and dance barefoot, island saudades. Somewhere between Nino Ferrer and Nino Rota, Air and Moustaki, with Antonin's casual and chameleon-like ability to pass himself off as an Italian or an Israeli when the wine or the atmosphere encourages him to do so.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Ossom Records","offers":[{"title":"Default Title","offer_id":49665488552278,"sku":null,"price":33.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2659\/files\/f1eece1dda.jpg?v=1736870682"},{"product_id":"rupa-disco-jazz-lp","title":"Rupa - Disco Jazz (LP)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLabel: Numero Group\u003c\/li\u003e\n\u003cli\u003eFormat: LP Black\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eStyle: \u003cmeta charset=\"utf-8\"\u003eDisco, Jazz Funk\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eCat. No. : \u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eNUM805LP\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eReleased: 2019\u003c\/span\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"description-text\"\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eOverview\u003c\/span\u003e\u003c\/strong\u003e\u003cspan class=\"line\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"description\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003eBarely disco and hardly jazz, Rupa Biswas’ 1982 LP is the halfway point between Bollywood and Balearic. Tracked in Calgary’s Living Room Studios with a crack team of Indian and Canadian studio rats alike, Disco Jazz is a perfect fusion of East and West. Sarod and synthesizer intricately weaving around one another for 37 transcendent minutes, culminating in the viral hit “Aaj Shanibar.” Remastered from original analogue source material and with he permission and blessing of the producers and performers.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Ossom Records","offers":[{"title":"Default Title","offer_id":49665603305814,"sku":null,"price":34.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2659\/files\/499b5516c8.jpg?v=1736872446"},{"product_id":"duster-s-t-lp","title":"Duster - S\/T (LP)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLabel: Numero Group\u003c\/li\u003e\n\u003cli\u003eFormat: LP Brown\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eStyle: \u003cmeta charset=\"utf-8\"\u003eSlow Core, Alternative\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eCat. No. : \u003cmeta charset=\"utf-8\"\u003e\n\u003cspan class=\"ellipsis\"\u003eNUM302LP-C2\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eReleased: 2022\u003c\/span\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"description-text\"\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eOverview\u003c\/span\u003e\u003c\/strong\u003e\u003cspan class=\"line\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"description\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eAfter a 19-year hiatus, Duster came back with their S\/T chef-d'oeuvre in 2019. Recorded in band member Clay Parton’s garage (aka Low Earth Orbit), the record bears all the hallmarks of the band’s early work: gaunt basslines, spindly guitars, and melancholy lyrics that lurk in the background\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Ossom Records","offers":[{"title":"Default Title","offer_id":49665655243094,"sku":null,"price":29.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2659\/files\/091671e9c0.jpg?v=1736872682"},{"product_id":"songs-ohia-the-lioness-lp","title":"Songs: Ohia - The Lioness (LP)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLabel: Secretly Canadian\u003c\/li\u003e\n\u003cli\u003eFormat: LP Black, \u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eRepress\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eStyle: \u003cmeta charset=\"utf-8\"\u003eFolk, Indie Rock\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eCat. No. : \u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eSC030LP\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eReleased: 2000\u003c\/span\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"description-text\"\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eOverview\u003c\/span\u003e\u003c\/strong\u003e\u003cspan class=\"line\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"description\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eOpening with an epic and ending with a little spartan ode, THE LIONESS is songwriter Jason Molina's fourth and most dynamic and empassioned full-length album to date. Recorded at Chem19 Studio in Glasgow, Scotland, with his Glaswegian friends Aidan Moffat and David Gow of Arab Strap, and Alasdair Roberts of Appendix Out, as well as with Songs: Ohia veterans Geof Comings and Jonathan Cargill, it is, on its exterior, a much darker affair than each of its predecessors. Perhaps it was the Scottish weather and company which gave it such a feel, for at the core of THE LIONESS, there is a warmth and tenderness unmatched by previous Songs: Ohia recordings. Indeed, this is a dark and sultry record, but not a melancholy one. While the last Songs: Ohia album AXXESS \u0026amp; ACE was an album which revealed many of the painful truths about love through its loss, this is an album about the beauty of love as seen from its rich foundational and experiential stages.\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Ossom Records","offers":[{"title":"Default Title","offer_id":49665718387030,"sku":null,"price":32.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2659\/files\/afb8099ae7.jpg?v=1736873974"},{"product_id":"minas-num-dia-azul-lp","title":"Minas - Num Dia Azul (LP)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLabel: Mr Bongo\u003c\/li\u003e\n\u003cli\u003eFormat: LP Black\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eStyle: \u003cmeta charset=\"utf-8\"\u003eBossa Nova, Brazil\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eCat. No. : \u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eMRBLP279\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eReleased: 2023\u003c\/span\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"description-text\"\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eOverview\u003c\/span\u003e\u003c\/strong\u003e\u003cspan class=\"line\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"description\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003eMinas 'Num Dia Azul' is a sublime slice of private press bossa nova meets jazzy MPB perfection. Warm and bubbling with youthful spirit, the music is simultaneously loose in swagger, yet slick and tight. The album was originally released in 1983 and reflects the great music coming out of Rio at the time, yet 'Num Dia Azul' wasn't recorded in Rio, but actually in the USA.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eRecorded in North Carolina just after Patricia and Orlando Haddad had graduated from the North Carolina School of the Arts, the record was only released for the Brazilian market on their own Blueazul Records imprint. As with most private press labels, they could only afford to have it pressed in small quantities. To add to its later obscurity, hundreds of copies were also destroyed in a house fire. They say cream always rises to the top, and fast forward to the 2010s, the word amongst collectors and DJs was spreading about this mythical under-the-radar recording. People from across the globe were contacting Patricia and Orlando for more information, hoping to secure themselves a copy. Luckily the original tapes had remained with the artists and were in great condition, so in 2016 the pair ran a successful Kickstarter campaign to have it remastered and repressed.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eFor this Mr Bongo 2023 re-issue, we have tried to keep it as close to the original 1983 version as possible, both in the packaging and audio presentation. The CD version comes with bonus tracks. We are super proud to keep Patricia and Orlando's serene recordings in the circulation that they deserve to be. One for fans of Brazilian artists such as Burnier \u0026amp; Cartier, Edu Lobo and Joyce. We are sure those fans will lose themselves in the alluring textures of 'Num Dia Azul'.\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Ossom Records","offers":[{"title":"Default Title","offer_id":49665749254486,"sku":null,"price":32.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2659\/files\/c6ced1df11.jpg?v=1736874174"},{"product_id":"maston-tulips-lp","title":"Maston - Tulips (LP)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLabel: Be With Records\u003c\/li\u003e\n\u003cli\u003eFormat: LP Black\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eStyle: Jazz, \u003cmeta charset=\"utf-8\"\u003eEasy Listening, Soundtrack, Space-Age\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eCat. No. : \u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eBEWITH087LP\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eReleased: 2024\u003c\/span\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"description-text\"\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eOverview\u003c\/span\u003e\u003c\/strong\u003e\u003cspan class=\"line\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"description\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003eFrank Maston’s Tulips is a sample-ready film score to the best 70s movie never made. Originally a super-limited self-release on his Phonoscope label in late 2017, Tulips has already become incredibly sought-after. Be With were introduced to Maston by mutual friends Aquarium Drunkard and it didn’t take long before we decided this modern classic deserved a reissue.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eInspired by the deep-grooving soundtracks of Italian cinema - think Morricone, Umiliani and Alessandroni - Maston conceived the entire Tulips project as a continuation of these revered works. Frank designed the artwork and made two 16mm films to accompany the music: “It wasn’t just the LP… it was kind of a whole vibe I was trying to create. Not really trying to emulate the things that influenced me but more trying to make something that could sit alongside those records on a shelf. I’m still very proud of the project.”\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThere’s a distinct library music feel too, with wiry organ, spacey keyboards and loping 60s guitar hinting at KPM and DeWolfe. Like the best library music, Tulips creates a cinematic universe through sound alone, evoking moving images in the listener’s technicolour imagination. It turns out that was accidentally on purpose: “I was discovering a lot of library music for the first time… listening to a composer’s entire catalog or finding all this obscure stuff. I wasn’t entirely conscious of the influence until I started making this music and realized I was channeling the vibe. That’s when I began focusing more on weaving melodic themes throughout the record to make it function more like a soundtrack”.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTulips was recorded between 2015 and 2017 in a small studio in a village called Zwaag in Holland, during downtime from Frank’s touring duties with Jacco Gardner’s band. “Tulips” comes from the title of the very first demo he made in Holland, it was the first thing that came to mind. Makes sense.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eRecording in Europe with some very European influences in mind, Frank wanted to eschew any American influences. But we can still feel the studio wizardry of the likes of Brian Wilson and Harry Nilsson in there somewhere. A psychedelic bedroom-pop song-cycle, full of hypnotic hooks and dusty drums, Tulips manages to sound charmingly homemade yet wholly widescreen.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eDreamy opener “Swans” is an exquisite soul instrumental and recalls the soft-psych of Koushik, which Be With loves of course. Tropicalia influences abound in the cool and breezy “New Danger” and the KPM-references are loud and proud on the lush organ pop of “Old Habits”. Fast-paced “Chase Theme No. 1” manages to be both tense and laid back, decorated by acid-drenched spaghetti Western guitars. The glorious Gainsbourg-esque melancholia of “Infinite Bliss” is all gauzy flutes and happy-sad vocalizing and the title is almost perfect: it’s bliss, no question; *if only* it went on forever. Side A closes with “Evening”, a subtle bossa nova beat thing. Gorgeous.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eSide B opens with the heat-shimmer guitars of “Rain Dance”, evoking an unreleased Byrds or Buffalo Springfield backing track. Yes, it’s that good. “Sure Thing” is music to accompany an elevator ride you never want to end, but in a good way! The ornate “Garçon Manqué” is as beautiful as the instrumentals on Pet Sounds (think “Let’s Go Away For A While”) and the wistful “Turning In” starts like a stroll in the park before Maston introduces a scorched-Earth guitar solo that would startle if it wasn’t so pitch-perfect. “Chase Theme No. 2” is a briefer, more keening counterpart to what we hear on side A. The head-nod bass-drums-keys funk of “Hues” rounds out this staggeringly assured set; still opening each phrase with a plaintive strum, but using vibrato and heavy reverb to accent the electric organ melody. Sublime.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eAll these top drawer musical references might sound like just more of the usual release notes hyperbole, but there’s a reason that this still-young LP already changes hands for big money. It really is that good. Of course that first pressing didn’t hang around for long and Frank’s regularly been asked about a re-press pretty much ever since.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eRe-issuing Tulips on Be With made sense to Frank “because the record would fit in so well with the catalogue”. Having already delved into the archives of KPM and Themes, and beginning to do the same with Coloursound and Selected Sounds, the collaboration “just makes sense and seems inevitable”. We agree.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eFrank wasn’t sure a record of instrumentals with obscure soundtrack references would be an easy sell when it was originally released, and was surprised when Tulips turned out to be exactly what some people wanted to hear. We reckon its timeless beauty ensures that it’ll *always* have an audience.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThe record was originally cut to be played at 45rpm, a technical quirk that grants the home listener the opportunity to go deeper, for longer. Played at 33rpm, the more languid unfurling of the tracks proves just as wonderful a trip. As a psilocybin-soaked case study from Aquarium Drunkard back in January of 2019 describes, some of the songs sound as if they were intended to be heard that way. The slower speed allowing the listener to step inside and perhaps even “crack the code” of the music’s meaning.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eMastered for this vinyl reissue by Simon Francis and featuring alternative burnt orange artwork from Maston himself, this Be With pressing is limited to just 500 copies. Hypnagogic it may be, but please don’t sleep.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Ossom Records","offers":[{"title":"Default Title","offer_id":49665767244118,"sku":null,"price":32.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2659\/files\/d471654123.jpg?v=1736874475"},{"product_id":"joe-gibbs-dub-serial-lp","title":"Joe Gibbs -  Dub Serial (LP)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLabel: Greensleeves\u003c\/li\u003e\n\u003cli\u003eFormat: LP Black\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eStyle: Dub\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eCat. No. : \u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eGREL2026\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eReleased: 2022\u003c\/span\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"description-text\"\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eOverview\u003c\/span\u003e\u003c\/strong\u003e\u003cspan class=\"line\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"description\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eThis 1974 release is regarded as one of the first dub albums ever issued, 'Dub Serial' offers a variety of excellent riddims including a rendition of The Abyssinians anthemic roots piece 'Satta Massa Gana', the riddim from Dennis Brown’s 'Money In My Pocket', and Big Youth’s adaptation of Burning Spear’s 'He Prayed' riddim for his single 'Foreman \u0026amp; Frasier'.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe tracks feature many intriguing subtleties like unexpected tape rewinds and clipped, echoing drums with surging sounds. Another effective technique is the pairing of two mixes of the same song. While one version features a catchy organ riff, the other focuses on the underlying drums and bass. The dub version of Nicky Thomas’ Turn Back The Hands Of Time is also noteworthy, with its captivating opening lines leading into a bass-heavy arrangement. Despite its understated qualities, this record is full of charm and intrigue.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Ossom Records","offers":[{"title":"Default Title","offer_id":49665793687894,"sku":null,"price":27.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2659\/files\/420fdf235d.jpg?v=1736874824"},{"product_id":"habibi-dreamachine-lp","title":"Habibi - Dreamachine (LP)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLabel: Kill Rock Stars\u003c\/li\u003e\n\u003cli\u003eFormat: LP Breezy Blue\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eStyle: Indie Rock\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eCat. No. : \u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eLP-KRS-754C\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eReleased: 2024\u003c\/span\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"description-text\"\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eOverview\u003c\/span\u003e\u003c\/strong\u003e\u003cspan class=\"line\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"description\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eCo-founded by Detroit natives Rahill Jamalifard and Lenny Lynch, Habibi got its start in Brooklyn in 2011, earning early raves every- where from Pitchfork and NME to All Things Considered and The New Yorker, who praised the band for infusing “the Colgate-white glisten of sixties-girl-group pop with an uncensored edge.” Dreamachine, Habibi’s mesmerizing new record releasing on Kill Rock Stars, marks a major sonic evolution for the band, rising beyond the critically acclaimed five-piece’s garage rock roots to arrive at a singular swirl of analog and digital elements that underpin their search for spiritual and physical transcendence. Produced by Tyler Love and longtime collaborator Jay Heiselmann and featuring MGMT multi-instrumentalist James Richard-son, the collection draws on a mix of post-punk, experimental pop, and vintage disco, calling to mind Tom Verlaine, Diana Ross, Kate Bush, and Kim Deal, all filtered through the band’s shared love of Middle Eastern psych music. The songs here are their own distinct worlds, each an immersive quest in pursuit of something greater, and the band’s performances are relentless and hypnotic to match, driven by lush synthesizers, sinewy guitars, and a muscular rhythm section. The result is a record as fearless as it is enthralling, an alternatingly fierce and joyous work that ascends to new heights as it reckons with desire and escape, love and surrender, rebellion and reality.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Ossom Records","offers":[{"title":"Default Title","offer_id":49669299863894,"sku":null,"price":32.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2659\/files\/93674cbfa0.jpg?v=1736936291"},{"product_id":"karate-boogaloo-hold-your-horses-lp","title":"Karate Boogaloo - Hold Your Horses (LP)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLabel: Colemine Records\u003c\/li\u003e\n\u003cli\u003eFormat: LP Black\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eStyle: Funk \/ Soul\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eCat. No. : \u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eCLMN12058LP-C1\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eReleased: 2024\u003c\/span\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"description-text\"\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eOverview\u003c\/span\u003e\u003c\/strong\u003e\u003cspan class=\"line\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"description\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eKarate Boogaloo are proud to present Hold Your Horses, a mesmerizing new long-playing disc of original instrumental tunes from Melbourne, Australia’s most dedicated.\u003cbr\u003e\u003cbr\u003eSitting at the heart of Melbourne’s burgeoning instrumental soul movement, Henry Jenkins, Hudson Whitlock, Callum Riley, and Darvid Thor have been playing music together since their playground days. Meeting as high school preteens, these four friends explored the teachings of the great small combo instrumental bands à la Booker T \u0026amp; The MG’s and The Meters.\u003cbr\u003e\u003cbr\u003eKarate Boogaloo’s singular bond shines brightly on Hold Your Horses, a document of KB’s distinct interpretation of instrumental funk. A bona-fide journey from start to finish, each tune melds seamlessly into the next, deftly creating a world built on moments of cinematic tension, whimsical melodies and eerie discordance and underpinned by undeniable super heavy funk.\u003cbr\u003e\u003cbr\u003eHold Your Horses employs a methodology for writing and recording music that mirrors KB’s long relationship together. All of the songs were written collaboratively in the studio, with no pre-prepared material being brought in by any member. It's a process specifically designed to maximize the strengths of the band and their relationship to one another; KB’s MO is enabled bytheir innate understanding of one another as people and musicians.\u003cbr\u003e\u003cbr\u003eTo add to the experience, the LP cover (designed by Melbourne-based visual artist Drez) creates an interactive optical art experience as the inner sleeve is removed from the jacket.\u003cbr\u003e\u003cbr\u003eKarate Boogaloo is a quartet greater than the sum of its parts; and the parts are very, very good.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Ossom Records","offers":[{"title":"Default Title","offer_id":49669318967638,"sku":null,"price":39.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2659\/files\/67d24c50ac.jpg?v=1736936757"},{"product_id":"kostas-bezos-the-white-birds-s-t-lp","title":"Kostas Bezos \u0026 The White Birds - S\/T (LP)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLabel: Mississippi Records\u003c\/li\u003e\n\u003cli\u003eFormat: LP Black\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eStyle: Greek Folk\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eCat. No. : \u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eMRP098LP\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eReleased: 2023, Repress\u003c\/span\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"description-text\"\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eOverview\u003c\/span\u003e\u003c\/strong\u003e\u003cspan class=\"line\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"description\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eThe first-ever compilation of χαβάγιες (\"havagies\"), the nearly forgotten Hawaiian-influenced music of 1930s Greece, focused on the compositions of Kostas Bezos and his ensemble White Birds. A world-class slide guitarist, political cartoonist and sleepless Bohemian, Kostas Bezos created some of the most unique music of any era: surrealist guitar portraits blending Athens and Honolulu, haunting tropical serenades, wild acoustic orchestras, and heartbreaking steel guitar duets.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eLP version includes a 32-page booklet with extensive notes by Tony Klein and Dimitris Kourtis, many rare photographs and lyrics.\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Ossom Records","offers":[{"title":"Default Title","offer_id":49669332435286,"sku":null,"price":27.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2659\/files\/9d9e21616b.jpg?v=1736937130"},{"product_id":"strawberry-guy-taking-my-time-to-be-lp","title":"Strawberry Guy - Taking My Time To Be (EP)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLabel: Melodic\u003c\/li\u003e\n\u003cli\u003eFormat: LP Cream\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eStyle: Indie Rock, Alternative\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eCat. No. : \u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eMELO122\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eReleased: 2021\u003c\/span\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"description-text\"\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eOverview\u003c\/span\u003e\u003c\/strong\u003e\u003cspan class=\"line\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"description\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003eWhen Alex Stephens (A.K.A. Strawberry Guy) self-released his debut single last year, he was merely doing it out of a love for songwriting. What he wasn't expecting was a million Youtube streams and an avid fanbase. Now, the South-Wales born, Liverpool-based songwriter is ready to release a full EP of his compelling, lushly produced dream-pop.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eBorn outside Cardiff, Strawberry Guy moved to Liverpool to study music and grow as a writer. 'I knew that it was a very artistic city with all it’s creative history, it seemed like the perfect place to move to.' he says. Whether it's playing keyboards in The Orielles or just being part of the city's growing musical scene, Alex plays music for the love of music, something that heavily translates into his adept songwriting.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThe intense emotional feel of the tracks he writes is down to Alex's songwriting process, recording the entire EP in his bedroom \u0026amp; producing it himself. 'I feel that it’s important to me to only write\/record when you’re channeling some kind of emotion, so I would only work on it when I was in the right mood to do so.' He answers when asked about the isolated environment into which he put himself for the recording process.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eMuch of the inspiration for Alex's work comes from experience rather than other artists. 'When something significant happens to me, all I want to do is make music.' In terms of musical touchstones however, there's the obvious dream-pop contemporaries such as Beach House and Weyes Blood, coupled with great songwriters of old like Nat King Cole or Harry Nillson. Sonically, a blend of orchestral \u0026amp; synthesized melodies layer together to act as a platform for his heartfelt lyrics.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eOpener 'Without You' is a fine example of this, a break-up song of sorts, with an infectious keyboard melody and swirling synths over which Alex contemplates whether it's even possible to find lasting love. The lyrics 'Do you really have to talk about the things you do with him? Do you really have to talk about your love?' hit particularly heavily.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eContrast this with the final track, the titular 'Taking My Time To Be', a powerful song of self-discovery. Beginning with downtempo piano and drums, the song breaks out into a saxophone and synth solo that wouldn't go amiss on a Badalamenti soundtrack. 'The song is about me learning to be comfortable with myself, but then wondering if I'll be accepted for being myself' Alex imparts. It's a fitting closer to a EP driven by emotion and experience.\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Ossom Records","offers":[{"title":"Default Title","offer_id":49669357240662,"sku":null,"price":38.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2659\/files\/d6e7c6ebbc.jpg?v=1736937540"},{"product_id":"aldous-harding-s-t-lp","title":"Aldous Harding - S\/T (LP)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLabel: Flying Nun\u003c\/li\u003e\n\u003cli\u003eFormat: LP Black\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eStyle: Alternative\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eCat. No. : \u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eFN566LP\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eReleased: 2016\u003c\/span\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"description-text\"\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eOverview\u003c\/span\u003e\u003c\/strong\u003e\u003cspan class=\"line\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"description\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eAldous Harding's songs are not for the faint of heart. Disarming in their desolate imagery and vulnerable instrumentation, they deal with the raw materials of life: birth, death, love and grief. Sometimes reminiscent of 60s-era folk singers Vashti Bunyan and Linda Perhacs, Harding's work lies in more harsh terrain than her forebears - piercing the long history of the genre with a grit and sincerity rarely encountered.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBased in New Zealand's Southern port town of Lyttelton, Auckland-born Harding began playing to the public in small-town venues and busking on the streets. It wasn't long before her name became synonymous with both the vivid devastation of her wordplay and the stark intensity of her performance; a unique blend of fragility and sinewy, world-won strength that belies her youth.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Ossom Records","offers":[{"title":"Default Title","offer_id":49669371593046,"sku":null,"price":26.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2659\/files\/517f0d35cf.jpg?v=1736937813"},{"product_id":"beans-boots-n-cats-lp","title":"Beans - Boots N Cats (LP)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLabel: Fuzz Club\u003c\/li\u003e\n\u003cli\u003eFormat: LP Clear Red, Limited\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eStyle: Indie Rock, Alternative, Garage\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eCat. No. : \u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eFC225V12\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eReleased: 2024\u003c\/span\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"description-text\"\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eOverview\u003c\/span\u003e\u003c\/strong\u003e\u003cspan class=\"line\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"description\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eServing up eleven tracks of rhythmic garage-psych goodness, ‘Boots N Cats’ is the third full-length from Melbourne outfit Beans and the first of two albums set for release in 2024. The long-awaited follow-up to 2018’s ‘Babble’ and 2020’s ‘All Together Now’, it’s a record that finds Beans frontman (and The Murlocs drummer) Matt Blach putting percussion at centre-stage. “I’ve always wanted to make a drum-based album, dedicated around the beat first and then everything else follows”, Blach says, explaining his desire to explore “different production approaches, like hip-hop and crunched drums, and show an admiration and appreciation for the likes of The Meters, Wu-Tang and James Brown” as much as the acid-soaked 60s\/70s rock you’d expect.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWhat emerges from the beat-first approach on ‘Boots N Cats’ charts mutant garage-rock boogies ('Groove', 'Silhouette') and festival tent psychedelia ('Haunted', 'Dreaming Daisy'), by way of blissed-out funk instrumentals ('One To Four', 'Siamese Blundstone'). The line is constantly skirted between a loose, carefree vibe and interesting, meticulous musicianship – never falling into the trap of taking itself too seriously. It’s a sunny kaleidoscope of chugging guitars, driving basslines, soaring organs and warm, echo-soaked vocals – driven always by the tightly-wound rhythms and grooves that Blach has been in pursuit of since he was a kid: “The title of the album comes from me learning drums from my dad. He had a background of German heritage and during lessons would jokingly say ‘nein, boot’n’cats’n’ like a simple 1,2,3,4.”\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Ossom Records","offers":[{"title":"Default Title","offer_id":49669392367958,"sku":null,"price":32.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2659\/files\/3ad7027578.jpg?v=1736938142"},{"product_id":"the-pro-teens-i-flip-my-life-every-time-i-fly-lp","title":"The Pro-Teens - I Flip My Life Every Time I Fly (LP)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLabel: Mr Bongo\u003c\/li\u003e\n\u003cli\u003eFormat: LP Orange\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eStyle: Funk\/Soul, Jazzy Hip-Hop, Library Music\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eCat. No. : \u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eMRBLP232\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eReleased: 2021\u003c\/span\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"description-text\"\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eOverview\u003c\/span\u003e\u003c\/strong\u003e\u003cspan class=\"line\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"description\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003eWithin Melbourne's burgeoning cinematic-soul scene, which includes breakout acts Surprise Chef and Karate Boogaloo, mysteriously sit The Pro-Teens. Helmed by prolific drummer and percussionist Hudson Whitlock, who also plays in both aforementioned bands, this breakaway studio project involves an interchangeable collective of incognito, Melbourne-based, esteemed instrumentalists playing under outlandish pseudonyms such as \"'Dead Honest’ Dean Amazing\" and \"Libby Clique-Baite\". Symbolically led by keyboardist \"Snooch Dodd\", new album ‘I Flip My Life Every Time I Fly’ is the latest musical concoction from Whitlock's eccentric brain, marrying the soul\/funk roots of sample culture with the principles of boom-bap hip hop.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eIncorporating the colourful comic book stylings of MF DOOM and Kool Keith, or the dark and exotic flavours of Gravediggaz and The Wu-Tang Clan, The Pro-Teens also take cues from their composing heroes Galt MacDermot, Richard Evans and Marc Moulin. The Pro-Teens bop, zip, whip and fling on this phantasmagorical journey - an unorthodox patchwork of cinematic soul, hip hop-guided funk breaks, vivid instrumental textures and film score-esque moods.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThe Pro-Teens work on the same analogue recording model adopted by the tight-knit College Of Knowledge label, self-recorded and produced with the rag-tag crew of musicians putting tracks down live to tape in crammed attic studios and sharehouse recording spaces.\u003c\/div\u003e\n\u003cdiv\u003eThe first limited pressing of 'I Flip My Life Every Time I Fly' was released on the 'College Of Knowledge' imprint in late 2020. It was one of the highlights of the year at Mr Bongo HQ who loved the concept and felt this tripped out masterpiece from Melbourne needed to be heard well beyond those lucky enough to have bagged those limited first copies.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTripped-out masterpiece from Melbourne’s cinematic soul scene. Featuring members of Surprise Chef and Karate Boogaloo.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eInspired by funk, library music, cinematic scores, soul, psych-folk-rock, wonky synths, and fused with a hip-hop aesthetic.\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Ossom Records","offers":[{"title":"Default Title","offer_id":49669414519126,"sku":null,"price":32.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2659\/files\/96b15206f3.jpg?v=1736938513"},{"product_id":"cotton-jones-the-river-strumming-lp","title":"Cotton Jones - The River Strumming (LP)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLabel: Suicide Squeeze Records\u003c\/li\u003e\n\u003cli\u003eFormat: LP 180g Reissue\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eStyle: Folk Rock, Indie, Alternative\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eCat. No. : \u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eSSQ223LP\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eReleased: 2023\u003c\/span\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"description-text\"\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eOverview\u003c\/span\u003e\u003c\/strong\u003e\u003cspan class=\"line\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"description\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003eThe American singer-songwriter tradition has always been tethered to a rustic austerity, the sort of front-porch authenticity that suggests an age where home electronics are still considered luxury items. But there's also the ongoing influence of Bob Dylan and The Band's Basement Tapes—that strange and beloved document of the magic that happens when private experiments with the folk template flourish into layered and lush songs—and its genesis through informal recording sessions. In our modern age, these kinds of casual DIY constructions are perhaps the more honest contribution to the Americana lineage—the true homespun artform.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eWhen Michael Nau and Whitney McGraw struck out on their own in the wake of the dissolution of their beloved indie-folk outfit Page France, they continued their songwriting practice with a new project called Cotton Jones Basket Ride. As legend has it, Nau and McGraw were working on the material for their debut full-length Paranoid Cocoon (2009) when they realized they had an entire album's worth of odds-and-ends from various recording sessions. The resultant album—The River Strumming—was released in 2008 on St. Ives in a batch of 300 unique hand-packaged LPs. As the label advertised it back in the day, the band \"initially set out to make a cohesive record, and made just the opposite.\" Like The Basement Tapes, The River Strumming is a document of a band exploring possibilities without the weight of expectation. The band would eventually condense their name to Cotton Jones and make a name for themselves in the indie world for their fusion of dreamy folk and psychedelic baroque pop. But in the beginning, there was this weird and wonderful collection of songs made by musicians who were enjoying the private process of finding their path.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eSuicide Squeeze is proud to present a 15th-anniversary vinyl reissue of this long out-of-print classic with updated artwork by Kayleigh Montgomery-Morris.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Ossom Records","offers":[{"title":"Default Title","offer_id":49669516951894,"sku":null,"price":32.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2659\/files\/c94445fb11.jpg?v=1736940237"},{"product_id":"brainstory-buck-lp","title":"Brainstory - Buck (LP)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLabel: Big Crown\u003c\/li\u003e\n\u003cli\u003eFormat: LP Black\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eStyle: R\u0026amp;B\/Soul, Rock\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eCat. No. : \u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eBCR079LP\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eReleased: 2019\u003c\/span\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"description-text\"\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eOverview\u003c\/span\u003e\u003c\/strong\u003e\u003cspan class=\"line\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"description\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eWhat is Buck?\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBuck is a state of mind, a way of life, a demeanor that gets you through the good times and the bad. If you ask Brainstory, It is also the energy that permeates their debut album.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eKevin, Tony, and Eric are a trio of brothers bounded by blood, fate, and a small town with nothing to do. Their story begins in the long lost lands of the San Bernardino Valley, in the twilight zone known as Rialto, California: An arid wasteland of boredom and empty lots. Through punk rock and skateboarding they found temporary liberation from the local monotony. However, it wouldn’t be long before a hunger for more led them to explore musical realms beyond that of the hardcore punk they admired. After stints at music school and steady disappointment trying to navigate their local jazz scene they moved to Los Angeles and Brainstory was born.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThrough a introduction from Chicano Batman’s bassist, Brainstory caught the ears of Big Crown head honchos Danny Akalepse and Leon Michels. Shortly thereafter they were on their way to Queens, to record at The Legendary Diamond Mine with Michels at the helm. An instant chemistry yielded 10 songs in 10 days and now Brainstory has gifted the world with one hell of an introduction to all things Buck. Highlights include the sublime slow burner, \"Dead End\" which was the A-side to their first 45 on Big Crown that sold out in a matter of days. With Kevin’s sublime falsetto floating atop Tony and Eric’s unflappable and unmistakable backbeat, this tune has become a favorite with the ballad heads, the low-riders, and the slowie collectors.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"Breathe\" showcases another side of their sound taking a page out of the Shuggie Otis playbook and flipping the script with some stoned out west coast swag. Kev and Tony’s father, Big Tone, an accomplished performer himself, steps in on \"Peter Pan\" to sing lead vocals over a chorus of friends and family. Bassist extraordinaire, Tony, takes over lead vocal duties on \"Sorry\", a smoked out, G Funk groove that is just waiting to be sampled.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThese guys have come a long way from their self released EPs and opening tours with Chicano Batman. Their musical growth is undeniable, and taking their California sunshine vibes and mixing them with Michels’ NYC aesthetic has proven to be an amazing combination. It’s a debut record that pulls influences from so many genres seamlessly it’s hard to nail down. Call it Funk, call it Rock, call it Soul, but over here at Big Crown HQ, we’ve decided to call it BUCK.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Ossom Records","offers":[{"title":"Default Title","offer_id":49669536252246,"sku":null,"price":30.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2659\/files\/e32328d279.jpg?v=1736940530"},{"product_id":"mac-demarco-some-other-ones-lp","title":"Mac Demarco - Some Other Ones (LP)","description":"\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLabel: Captured Tracks\u003c\/li\u003e\n\u003cli\u003eFormat: LP Canary Yellow\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eStyle: Alternative, Indie, Instrumental\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eCat. No. : \u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eCTSP032LP-C1\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eReleased: 2023\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"description-text\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eOverview\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"description\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eIn the summer of 2015, Mac DeMarco released Some Other Ones — a collection of original instrumental recordings DeMarco deemed his “BBQ soundtrack” — as a free digital download exclusively on Bandcamp. It was recorded in just 5 days at his home in Far Rockaway, Queens, about a year after the massive success of his third album, Salad Days, and just weeks before the release of mini-LP Another One.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOriginally released in conjunction with a barbecue DeMarco hosted to promote Another One and collect food bank donations, Some Other Ones soon gained cult status, now regarded amongst his fans as a key entry in his beloved catalog.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eNow, almost 10 years later, and following the success of his recent full-length instrumental album Five Easy Hot Dogs, Some Other Ones is finally getting the full release treatment. The album will be available digitally across all streaming platforms for the first time starting November 8th, and on limited edition yellow vinyl starting December 15th.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe real heads get down to Some Other Ones!\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e","brand":"Ossom Records","offers":[{"title":"Default Title","offer_id":49669594579286,"sku":null,"price":28.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2659\/files\/51e4cbd72c.jpg?v=1736941641"},{"product_id":"cate-le-bon-crab-day-lp","title":"Cate Le Bon - Crab Day (LP)","description":"\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLabel: Amplify Music\u003c\/li\u003e\n\u003cli\u003eFormat: LP Green, Reissue\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eStyle: Art Rock, Indie\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eCat. No. : \u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eAMP005LPC\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eReleased: 2023\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"description-text\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eOverview\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"description\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eA Welsh songwriter, Cate Le Bon's distinctive voice and smart arrangements have manifested as a dark, looming take on psychedelic pop over the course of multiple critically acclaimed solo albums, side projects, and production for others. Though earlier albums had hints of a folk influence, her spindly guitar leads often stole the show, tending toward more distorted and demented forms. Along with her active solo career, Le Bon has collaborated with fellow warped pop purveyor Tim Presley in a side project called DRINKS, as well as taking a producer role for indie royalty like Eleanor Friedberger and Deerhunter. Crab Day is Le Bon's fourth solo album.\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e","brand":"Ossom Records","offers":[{"title":"Default Title","offer_id":49669611716950,"sku":null,"price":29.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2659\/files\/103811030c.jpg?v=1736942102"},{"product_id":"cut-worms-s-t-lp","title":"Cut Worms - S\/T (LP)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLabel: Jagjaguwar\u003c\/li\u003e\n\u003cli\u003eFormat: LP Black\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eStyle: \u003cmeta charset=\"utf-8\"\u003eAlternative, Indie\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eCat. No. : \u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eJAG449LP\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eReleased: 2023\u003c\/span\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"description-text\"\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eOverview\u003c\/span\u003e\u003c\/strong\u003e\u003cspan class=\"line\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"description\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eThe car windows are down, the air is warm, and the possibilities are boundless. On Cut Worms, the new self-titled album from Brooklyn-based Max Clarke, the singer-songwriter and musician continues his exploration of what he calls “pop essentialism”. Mining the golden hits of yesteryear for a timeless double A-side sound, he contemplates age-old questions through a modern lens. Here, he leaves behind the legendary studio and sought-after producers for a more homegrown approach, working with a cast of gifted friends and collaborators. The result is a compact collection of daydream anthems that live between the summer’s hopeful beginnings and the season’s fleeting end.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAs opposed to recording the entire album in one chunk at one studio, Clarke varied his methods. Three of the songs were cut from start to finish in his shared rehearsal space. “Don’t Fade Out” and Living Inside” were recorded in Brooklyn by Brian and Michael D’Addario of the Lemon Twigs, who also played piano and bass, respectively, on these two songs. Further basic tracking was done by Rick Spataro (of indie folk band Florist) at his Hudson Valley studio, Onlyness Analog, with contributions from the long standing Cut Worms live band–keyboardist John Andrews, bassist Keven Louis Lareau, and drummer Noah Bond (who played on all three sessions).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eA youthful spirit breathes throughout these nine songs. The carnation-adorned school dance serenade of “I’ll Never Make It”; the starry eyed infatuation of “Is it Magic?”; the first fall leaves on the bus ride to school on “Living Inside”–all evoke a place of warmth and safety. Declarations like “Don’t Fade Out”, “Let’s Go Out On The Town”, and “Use Your Love” make high demands for life to change, but beg for us, as people, to keep hold of what makes us human. Clarke wrestles with a paradox–the joys of experience cannot be won without the loss of innocence.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOn “Ballad of a Texas King” Clarke sings, ““Hey kid come along... something is wrong... I believe you know... All this to say, only one way that this can go…” It’s as if he’s reaching out to his younger self, letting him know the changes are inevitable. How do we hang on to a dream? How do we not lose ourselves in a world that is lost? The only way out of a nightmare is to keep going. Clarke’s answer lies in his art, where the search for love and the perfect pop song coalesce and transcend him to that other plane. –Kyle Avallone\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e","brand":"Ossom Records","offers":[{"title":"Default Title","offer_id":49669625708886,"sku":null,"price":29.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2659\/files\/3843394641.jpg?v=1736942483"},{"product_id":"jeremy-enigk-the-return-of-the-frog-queen-lp","title":"Jeremy Enigk - The Return Of The Frog Queen (LP)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLabel: Sub Pop\u003c\/li\u003e\n\u003cli\u003eFormat: LP Purple Marbled\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eStyle: \u003cmeta charset=\"utf-8\"\u003eAlternative, Folk Rock, Emo\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eCat. No. : \u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eSP1208\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eReleased: 2018\u003c\/span\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"description-text\"\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eOverview\u003c\/span\u003e\u003c\/strong\u003e\u003cspan class=\"line\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"description\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003eJeremy Enigk performed with legendary indie rock band Sunny Day Real Estate from 1993 to 2000. He was their singer, songwriter, and one of their guitarists. In 1996, following Sunny Day Real Estate’s first breakup (which lasted from 1995 to 1997), Enigk released his first solo album, Return of the Frog Queen.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eReturn of the Frog Queen represents a major shift from the sound of Sunny Day Real Estate. The album features a 21-piece orchestra backing Enigk as he performs striking, dramatic, chamber-pop compositions that demonstrate the full breadth of Enigk’s talents as a singer, musician, and songwriter. The album was produced by Greg Williamson, who also produced Sunny Day Real Estate’s 1998 comeback album, How it Feels to Be Something On.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eReturn of the Frog Queen has been out of print since its original 1996 pressing. This reissue includes the original album, remastered in 2018, plus digital bonus tracks from Enigk’s 1996 live session on Seattle radio station The End.\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e","brand":"Ossom Records","offers":[{"title":"Default Title","offer_id":49669637833046,"sku":null,"price":33.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2659\/files\/34bdba9a45.jpg?v=1736942860"},{"product_id":"cut-worms-nobody-lives-here-anymore-lp","title":"Cut Worms - Nobody Lives Here Anymore (LP)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLabel: Jagjaguwar\u003c\/li\u003e\n\u003cli\u003eFormat: 2xLP Black \u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eStyle: \u003cmeta charset=\"utf-8\"\u003eAlternative, Indie Rock\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eCat. No. : \u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eJAG359LP\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eReleased: 2020\u003c\/span\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"description-text\"\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eOverview\u003c\/span\u003e\u003c\/strong\u003e\u003cspan class=\"line\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"description\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eNobody Lives Here Anymore.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe shopping malls have closed down, the dressing rooms are filled with ghosts, and the carousel is covered in cobwebs. Nobody Lives Here Anymore, the latest and greatest from Max Clarke as Cut Worms, is the haunted reverie of an American landscape in-and-out of Clarke’s mind. Recorded between May and November 2019 in Memphis, Tennessee, the album is a snow globe of the mid-twentieth-century’s popular music filled with chiming guitars, honkey tonk pianos, and Telstar organs.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eA constant creator - be it his Cut Worms alter-ego or his day-job illustration work (designing brand logos and beer labels with madhouse technicolor pictures) - writing and making records has always been Max's driving force. So after an extensive eighteen-months of touring in support of 2017’s Alien Sunset and 2018’s Hollow Ground, he set about sifting through the fragment pieces and sketches of tunes he’d accumulated, along with a jet-stream of new compositions, mining his life-long devotion to the lost American songbook for inspiration. By the time he flew to Memphis to work with producer Matt Ross-Spang at Sam Phillips Studio, he’d stockpiled more than thirty new songs.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eUnlike earlier works that were meticulously demoed, Clarke opted for rough drafts as he would with one of his drawings, seeking to capture something more immediate and honest. Most of the initial takes were tracked live with Noah Bond on drums, while Max sang and played rhythm guitar. He then built lush arrangements around these intimate performances. Max’s longtime partner Caroline (Gohlke) contributed backing vocals (she also shot the cover photo), and a skeleton crew of friends and Memphis all-stars were called in to lay down pedal steel, sax, and strings. When all was said and done, they had recorded seventeen songs.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWith an overstuffed bag brimming with certifiable cosmic Americana gems and no shortage of new material in sight, Max saw no sense holding back – deciding to include the whole batch of recordings and release it as a double-LP. “It takes a lot to do this,” he explains. “If I can only say something every so often, I’d like to say a lot more if I can”.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eClarke sees this record as a figurative shot across the bow to the modern attention span. He says Nobody Lives Here Anymore is about “throwaway consumer culture and how the postwar commercial wet dreams never came true, how nothing is made to last.” He considers the golden years of a society on its last leg with poignant curiosity, suggesting not only that nobody lives the American dream, but that nobody lives here, in this moment, anymore. “It’s about homesickness for childhood, for a place that never really existed,” says Max.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eA loss of innocence lingers through this 80-minute opus as Clarke attempts to harbor love and meaning inside a world that sold itself out. He explores the wistfulness of the past in search of answers for tomorrow. And while his grand anthems overflow with timeless pop charm, his ability to dig deeper than lollipops and holding hands sets his work apart from the days of 45s and Top of the Pops.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e","brand":"Ossom Records","offers":[{"title":"Default Title","offer_id":49675721245014,"sku":null,"price":32.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2659\/files\/8fb711d7e4.jpg?v=1737027814"},{"product_id":"ned-doheny-seperate-oceans-lp","title":"Ned Doheny - Seperate Oceans (LP)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLabel: Numero Group\u003c\/li\u003e\n\u003cli\u003eFormat: 2xLP Blue\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eStyle: \u003cmeta charset=\"utf-8\"\u003eFunk Rock, Slo-Mo Disco\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eCat. No. : \u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eNUM052LP-C1\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eReleased: 2014\u003c\/span\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"description-text\"\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eOverview\u003c\/span\u003e\u003c\/strong\u003e\u003cspan class=\"line\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"description\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003eWith no less than a mansion, a state beach, and a three-mile stretch of road bearing his fabled family's name, Ned Doheny easy-glided into the 1970s on a crest of wealth and privilege. Signposting Ned's sojourn through the LA recording industry were Jackson Browne, Glenn Frey, Don Henley, Chaka Khan, Graham Nash, \"Mama\" Cass Elliot, Bonnie Raitt, and David Geffen--each a household name both inside and far from southern California. And while no bust of Ned Doheny appears alongside those of his Laurel Canyon brethren in the pantheon of classic rock, it's not for lack of songwriting abilities or recording chops.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eOver the last three decades, Doheny's albums have slid in and out of print on LP and CD, budget jobs without any involvement from the self-described \"avatar for casual vulgarity.\" Separate Oceans examines Ned Doheny's first ten years adrift in song, pulling together choice album cuts and 11 previously unissued demos. An 8000 word essay is illustrated by images from the archives of noted rock photographers Henry Diltz, Moshe Brahka, Clive Arrowsmith, and Gary Heery, creating the first ever overview of this unheralded marina rocker. for Fans of Too Slow To Disco...\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e","brand":"Ossom Records","offers":[{"title":"Default Title","offer_id":49675761647958,"sku":null,"price":39.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2659\/files\/d6ce638c66.jpg?v=1737028216"},{"product_id":"faye-webster-atlanta-millionaires-club-lp","title":"Faye Webster - Atlanta Millionaires Club (LP)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLabel: Secretly Canadian\u003c\/li\u003e\n\u003cli\u003eFormat: LP Black\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eStyle: \u003cmeta charset=\"utf-8\"\u003eAlternative, Indie\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eCat. No. : \u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eSC376LP\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eReleased: 2019\u003c\/span\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"description-text\"\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eOverview\u003c\/span\u003e\u003c\/strong\u003e\u003cspan class=\"line\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"description\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eAtlanta Millionaires Club is in Faye Webster's feelings, and that’s the way she likes it. \"Everything is way personal,\" Webster says. \"I have to write about very personal things for me to even want to write.\"\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e On the 21-year-old Atlanta native’s new album, the omnipresence of pedal steel eschews bluegrass trappings, exible under Webster's genre-bending direction. Webster didn’t set out to make it sound like any artist in particular, but she cites Aaliyah as her main musical inspiration for how she uses sound.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"That's where I first heard, 'Oh, there's this weird guitar that's bendy and it could totally be in a country song,' but the way she's using it is what makes her music so special to me,\" Webster explains. \"I try to do that. I try to change the way pedal steel is supposed to sound, or keys, to make it more R\u0026amp;B.\"\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e Pulling from a familial lineage of folk storytelling and time spent in Atlanta's hip-hop scene, Webster's work is a study of duality, weaving through her own introversion and heartbreak; it's an idiosyncratic sadness punctuated by fleeting observations and an unexpected, sly sense of humor. And like the way Webster takes the traditional instrumentation of Americana and ips it into something else, she uses her own calm, laid-back demeanor to say you can be boldly and unapologetically yourself in a quiet way, too.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e","brand":"Ossom Records","offers":[{"title":"Default Title","offer_id":49675807031638,"sku":null,"price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2659\/files\/3e823c82c2.jpg?v=1737028554"},{"product_id":"kit-sebastian-melodi-lp","title":"Kit Sebastian - Melodi (LP)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLabel: Mr Bongo\u003c\/li\u003e\n\u003cli\u003eFormat: LP Black\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eStyle: \u003cmeta charset=\"utf-8\"\u003eWorld, Psychedelic Funk\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eCat. No. : \u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eMRBLP227\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eReleased: 2021\u003c\/span\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"description-text\"\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eOverview\u003c\/span\u003e\u003c\/strong\u003e\u003cspan class=\"line\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"description\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003eFollow-up album to cult-classic debut, Mantra Moderne.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e‘Melodi’ is the second album from captivating duo Kit Sebastian (aka Kit Martin and Merve Erdem). Those familiar with the band's cult classic 2019 debut record 'Mantra Moderne' will instantly recognise their unique sound that blurs boundaries of world music, jazz and psychedelia. Not to be content replicating the same album, sonically the feel of ‘Melodi’ is a maturation. It is more diverse and provides glimpses into many different worlds from the Italian Riviera to the mountains of the Caucasus, the beaches of Bahia to the city streets of Istanbul and Paris. This joyous merging of soundscapes evokes a borderless planet with music as an international language, belonging everywhere and nowhere.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e‘Melodi’ is imbued with Kit Sebastian's love of vintage records and world cinema, but it is not a retro homage. It celebrates its influences but is very much a modern record, being simultaneously brand new and retro. This is a credit to the duo's craft as musicians and songwriters, presenting their influences as a circular interaction between the present and the past rather than a linear one.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThe music was written during the first UK lockdown and recorded that summer, a time of opening up that only briefly existed. In a world with a slower pace than before the Covid crisis, the band were able to spend more time experimenting in the studio. The album’s range of instrumentation has expanded from the previous record to include zithers, harpsichords, congas, bongos, bulbul tarang, and a mock-up choir on top of the synthesizers, balalaikas, organs, and saxophones. Session musicians and friends were also booked to introduce trumpet and string sections giving the album an added depth and orchestral texture. Despite the added complexity, the album was recorded using the same techniques employed for the previous album with various tape machines, bouncing back between cassette and ¼” tape for practicality and sonic abstraction. To pierce through this abstraction, the vocals are intentionally more expressive. Merve took cues from the Turkish singers of her youth, adding a slightly more melancholic, darker and more reflective style than 'Mantra Moderne’. Rooted in observations from everyday life, they speak often about the worlds and thoughts that arise from the end of the night.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eLike with many of the best albums, the record seems over all too soon and has you instantly wanting to play it again. On each listen you decide on a track that you think is your favourite from the album only for it to be replaced with a different one on the next listen. The songs and production have hidden depths that seem to evolve and morph the more you devour them. Moments of pure pop, moments to fall in love, moments to contemplate. This journey is rich in musical vitamins and nourishment, but like all the best things still leaves you wanting more.\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e","brand":"Ossom Records","offers":[{"title":"Default Title","offer_id":49675830657366,"sku":null,"price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2659\/files\/746ce05384.jpg?v=1737028791"},{"product_id":"lloyd-miller-a-lifetime-in-oriental-jazz-cd","title":"Lloyd Miller - A Lifetime In Oriental Jazz (CD)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLabel: Jazzman\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eStyle: Avant-Garde Jazz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eCat. No. : \u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eJMANCD028\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eReleased: 2019\u003c\/span\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"description-text\"\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eOverview\u003c\/span\u003e\u003c\/strong\u003e\u003cspan class=\"line\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"description\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003eJazzman presents the definitive anthology of pioneering ethno-musicologist, mystical adventurer and real life jazz guru Dr Lloyd Miller. This album tells the fascinating life story of one man and his journey through Europe and the Middle East, living off nothing but his wits, talent and an open-minded attitude towards music and jazz. Master of dozens of languages and hundreds of instruments, Miller has spent fifty years immersed in the music of Europe, Asia and the Middle East.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eFeaturing recordings taken from incredibly rare privately pressed albums, live sessions in Europe, and previously unreleased material, A Lifetime in Oriental Jazz tells the story of his extraordinary personal journey from the West Coast to the Far East. Played on a plethora of exotic instruments from around the world, Miller's music is a unique blend of jazz with the modal and spiritual sounds of traditional Asian and Middle Eastern music. Spiritual jazz, Eastern jazz - direct from the source!\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eAvailable on deluxe heavyweight vinyl and compact disc with digitally remastered sound, previously unreleased material, exhaustive historical liner notes and unseen archive photos.\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Ossom Records","offers":[{"title":"Default Title","offer_id":49675876794710,"sku":null,"price":22.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2659\/files\/4a35e8efda.jpg?v=1737029144"},{"product_id":"logh-a-sunset-panorama-cd","title":"Logh - A Sunset Panorama (CD)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLabel: Bad Taste Records\u003c\/li\u003e\n\u003cli\u003eFormat: CD+DVD\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eStyle: Indie, Alternative, Emo\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eCat. No. : \u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eBTR87\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eReleased: 2005\u003c\/span\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"description-text\"\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eOverview\u003c\/span\u003e\u003c\/strong\u003e\u003cspan class=\"line\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"description\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eLogh's third full-length and first for Hydra Head brings to mind a melancholic mix of such greats as Sonic Youth, Mogwai, and Low. In September 2004, the band recorded A Sunset Panorama in a Stockholm, Sweden studio with Pelle Gunnerfeldt (producer of the Hives, Sahara Hot Nights, etc.).\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Ossom Records","offers":[{"title":"Default Title","offer_id":49675913920854,"sku":null,"price":14.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2659\/files\/fd4d959ac5.jpg?v=1737029593"},{"product_id":"acid-baby-jesus-s-t-lp","title":"Acid Baby Jesus - S\/T (LP)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLabel: Slovenly\u003c\/li\u003e\n\u003cli\u003eFormat: LP Black\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eStyle: \u003cmeta charset=\"utf-8\"\u003eGarage, Psychedelic Pop\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eCat. No. : \u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003e702-110\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eReleased: 2011\u003c\/span\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"description-text\"\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eOverview\u003c\/span\u003e\u003c\/strong\u003e\u003cspan class=\"line\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"description\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eJust months after releasing their massive \"Hospitals\" e.p. (702-101), Slovenly Recordings presents the debut full length tidal wave from Greece's Acid Baby Jesus, simply titled, \"LP\" (702-110). A Mediterranean concoction of two of our favorite \"Black\" bands (Sabbath\/ Lips), ABJ represents the future of heavy psych'n'roll from an isolated, ancient civilization. Combining the ruthless elements of American outlaw roots music and celestial glam rock, like fellow deconstructionists Demon's Claws, \"LP\" suggests the Rolling Stones at their wearied best, with the electrifying hi-jinks of Brian Eno bulldozing the swagger into the darkest corners of the cosmos.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAmong this album's thirteen original compositions, the deathly dirge \"Homo Sapiens\" claws forth with a twisted, underlying skronk, ending with the terrifying bacchanalia of a pack of disgruntled flying monkeys. Elsewhere, trance inducing lullabies crescendo into fully erupting cacophonies of feedback and distortion. Girl-group icons The Shangri-Las are channeled in the beaty, dark-pop gallop of \"I'm A Baby.\" \"Tooth To Toe,\" with its exotic, percussive clank and uplifting glitter hook juxtaposes brilliantly with its lyrical ode to post-tour poverty (\"I've got to pay the rent, my money's always spent, and I'm deep in\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003eshit.\")\u003cbr\u003e\u003cbr\u003eDynamics play equally as heavy a role as their expert songwriting, and a flawless production job by John Vulgaris rounds this album out with a fresh level of psycho-sonic Alex Chilton-esque throb, heavily peppered with lazy Hazelwood-isms. \"LP\" presents a long, gooey segue from rave-up to release with breathtaking results, like the best love-making of your life.\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e","brand":"Ossom Records","offers":[{"title":"Default Title","offer_id":49682176541014,"sku":null,"price":24.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2659\/files\/a0114907561_10.jpg?v=1737116814"},{"product_id":"rolling-up-to-heaven-chicken-delight-lp","title":"Rolling Up To Heaven - Chicken Delight (LP)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLabel: JEKS Viihde\u003c\/li\u003e\n\u003cli\u003eFormat: LP Black\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eStyle: Indie, Psychedelic Pop\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eCat. No. : \u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eJEKS009\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eReleased: 2024\u003c\/span\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"description-text\"\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eOverview\u003c\/span\u003e\u003c\/strong\u003e\u003cspan class=\"line\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"description\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eIn 2022, music man Jaakko Eino Kalevi undertook the monumental task of producing the songs of Noda Pappa and Benny Montero. Amidst this process, Jaakko joined their group on drums and discovered a collection of undiscovered tracks with extraordinary quality.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWorking alongside Jay Watson (GUM, POND \u0026amp; Tame Impala) and Teemu Takatalo (Mutual Recording Studio), Jaakko produced a selection of these uncovered gems into an album, revealing a resonance and theme distinct from the modern world. The carefully crafted selection exhibits the forward-thinking, unconventional and ever-evolving sound that has defined Benny Montero and Noda Pappa’s discography.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“Chicken Delight” is an eight-track trip featuring far-reaching greasy rock tracks, funky times and ethereal vocal cuts, making an incredible addition to Benny, Noda \u0026amp; Jaakko´s iconic catalogue. A must-listen for all new and old fans, and the diggers and selectors of today.\u2028\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e","brand":"Ossom Records","offers":[{"title":"Default Title","offer_id":49682246762838,"sku":null,"price":26.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2659\/files\/a3710100722_10.jpg?v=1737117355"},{"product_id":"va-spiritual-jazz-12-impulse-cd","title":"VA - Spiritual Jazz 12: Impulse! (CD)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLabel: Jazzman\u003c\/li\u003e\n\u003cli\u003eFormat: 2xCD, Compilation\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eStyle: Contemporary Jazz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eCat. No. : \u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eJMANCD122\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eReleased: 2020\u003c\/span\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"description-text\"\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eOverview\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"description\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eIn our latest chapter of Spiritual Jazz, we return to the source – the Impulse! label, and the monumental influence of its most prominent artist, John Coltrane.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSince the first release in the series back in 2008, we have mapped out the growth of the spiritual sound in jazz. Spiritually energised and politically conscious, the spiritual sound in jazz music is one of the most important currents in the music. Our series has charted the growth of the style from early experiments at Blue Note and Prestige to European excursions, exiled experimentalists, and sounds from across the globe. But whenever you think of spiritual jazz, it’s a fair bet that the double exclamation mark and orange and black spine of Impulse quickly comes to mind.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eHome to John and Alice Coltrane, Pharaoh Sanders, Yusef Lateef, McCoy Tyner and countless other musical pioneers, Impulse! was the most important and forward-thinking jazz label of the 1960s. With the music-first attitude of an independent but the clout of a major, producers Creed Taylor and Bob Thiele made Impulse the defining imprint of a crucial decade of social upheaval that still resonates today. They hand picked the top players of the moment and gave them freedom to record the music they wanted, setting out\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003etheir stall with a bold slogan – ‘The New Wave Of Jazz Is On Impulse!’\u003cbr\u003e\u003cbr\u003eHere we dive deep into the Impulse! catalogue, bringing celebrated masterpieces from Alice Coltrane and Pharaoh Sanders into the arena, together with lesser known cuts from Phil Woods and John Klemmer as well as straight-up classics such from Yusef Lateef and Elvin Jones. Fifty years on and the new wave of jazz still sounds fresh, vibrant and as relevant as ever.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Ossom Records","offers":[{"title":"Default Title","offer_id":49682299388246,"sku":null,"price":20.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2659\/files\/23e4f2fa60.jpg?v=1737117780"},{"product_id":"hailu-mergia-and-dahlak-band","title":"Hailu Mergia and Dahlak Band - Wede Harer Guzo (Tape)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLabel: Awesome Tapes From Africa\u003c\/li\u003e\n\u003cli\u003eFormat: Tape Transparent\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eStyle: \u003cmeta charset=\"utf-8\"\u003eWorld, Ethiopian \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eCat. No. : \u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eATFA021CASS\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eReleased: 2016\u003c\/span\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"description-text\"\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eOverview\u003c\/span\u003e\u003c\/strong\u003e\u003cspan class=\"line\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"description\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003eHailu Mergia \u0026amp; Dahlak Band’s Wede Harer Guzo is the third release on Awesome Tapes From Africa for Ethiopian keyboard and accordion maestro. In the years since Shemonmuanaye, Mergia has revamped his touring career, playing festivals and clubs worldwide, including a recent tour supporting Beirut. By 1978, Addis Ababa’s nightlife was facing challenges. The ruling Derg regime imposed curfews, banning citizens from the streets after midnight until 6:00 am. But that didn’t stop some people from dancing and partying through the night. Bands would play from evening until daybreak and people would stay at the clubs until curfew was lifted in the morning. !\u003c\/div\u003e\n\u003cdiv\u003e \u003cbr\u003eOne key denizen of Addis’ musical golden age, Hailu Mergia, was preparing a follow-up to his seminal Tche Belew LP with the famed Walias Band. It was the band’s only full-length record and it had been a success. But his Hilton house band colleagues were a bit tied up recording cassettes with different vocalists. Still Mergia, amidst recording and gigs with the Walias, was also eager to make another recording of his instrumental-focused arrangements. So he went to the nearby Ghion Hotel, another upmarket outpost with a popular nightclub. Dahlak Band was the house band at Ghion at the time.\u003c\/div\u003e\n\u003cdiv\u003e \u003cbr\u003eTogether they made this tape Wede Harer Guzo right there in the club during the band’s afternoon rehearsal meetings, with sessions lasting three days.!\u003c\/div\u003e\n\u003cdiv\u003e \u003cbr\u003eDahlak Band catered to a slightly more youthful, local audience, while Mergia’s main gig with the Walias at Addis' swankiest hotel had a mixed audience that included wealthy Ethiopians, foreign diplomats and older folks from abroad. Therefore, their sets featured lighter fare during dinnertime and a less rollicking selection of jazz and r\u0026amp;b.\u003c\/div\u003e\n\u003cdiv\u003e \u003cbr\u003eMeanwhile, Dahlak was known more for the mainly soul and Amharic jams they served up for hours two nights a week to a younger crowd. ! Mergia released Wede Harer Guzo (“Journey to Harer,” a city in eastern Ethiopia) with Sheba Music Shop, which was located in the Piazza district but has long since shut down. His cassette copy is the only known source we could find.\u003cbr\u003e\u003cbr\u003eJessica Thompson at Coast Mastering managed to restore the recording to clean up layers of hiss, flutter and distorted frequencies, made worse by years of storage. Although there are some remaining sonic artifacts of the era’s recording and cassette duplicating quality, this reissue captures the band’s inimitable vibe. !\u003c\/div\u003e\n\u003cdiv\u003e \u003cbr\u003eRecalling the audience’s positive reaction to Wede Harer Guzo’s novel arrangements, he says it sold well and found many fans.\u003c\/div\u003e\n\u003cdiv\u003e \u003cbr\u003eHowever, as no trace of the tape can be found online, there’s no indication as to why the cassette appears largely forgotten until now.\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e","brand":"Ossom Records","offers":[{"title":"Default Title","offer_id":49682391400790,"sku":null,"price":15.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2659\/files\/ab2b797a44.jpg?v=1737118253"},{"product_id":"cosmic-shadows-s-t-lp","title":"Cosmic Shadows - S\/T (LP)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLabel: Sound Effect Records\u003c\/li\u003e\n\u003cli\u003eFormat: LP Black\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eStyle: \u003cmeta charset=\"utf-8\"\u003eGarage, Psychedelic Rock\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eCat. No. : \u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eSER119\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eReleased: 2023\u003c\/span\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"description-text\"\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eOverview\u003c\/span\u003e\u003c\/strong\u003e\u003cspan class=\"line\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"description\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eIt would seem that, after millennia, the insidious songs of sirens are still being raised: Athenians Cosmic Shadows, with their eponymous debut album, weave an inextricable Ariadne's thread. Intersidereal, kaleidoscopic guitars beckon us into daydreams, but collide with fuzz, biting bass and vocals that are at once stoic, caustic and plaintive.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAt the same time, as if plunged into an Escherian diplopia, the journey is juicy, lysergic and perilous. A game of variations well worth the \u003c\/span\u003e\u003cspan id=\"package_description_2\" class=\"peekaboo-text\"\u003ecandle.\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e","brand":"Ossom Records","offers":[{"title":"Default Title","offer_id":49682598003030,"sku":null,"price":28.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2659\/files\/a1322099204_10.jpg?v=1737120042"},{"product_id":"noda-pappas-piano-in-the-shower-lp","title":"Noda Pappa - Piano In The Shower (CD)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLabel: Just Gazing Records\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eStyle: \u003cmeta charset=\"utf-8\"\u003eIndie, Glam Rock\u003c\/span\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eReleased: 2022\u003c\/span\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Ossom Records","offers":[{"title":"Default Title","offer_id":49682629820758,"sku":null,"price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2659\/files\/a4181079253_10.jpg?v=1737120354"},{"product_id":"film-jacket-35-the-pr-foundation-lp","title":"Film Jacket 35 - The PR Foundation (LP)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLabel: Patari Records\u003c\/li\u003e\n\u003cli\u003eFormat: LP Black 140g\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eStyle: \u003cmeta charset=\"utf-8\"\u003eGarage, Psychedelic Rock\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eCat. No. : \u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003ePAT001\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eReleased: 2019\u003c\/span\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"description\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/div\u003e","brand":"Ossom Records","offers":[{"title":"Default Title","offer_id":49682665374038,"sku":null,"price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2659\/files\/a2876703385_10.jpg?v=1737120660"},{"product_id":"primo-bake-zap-cd","title":"Primo Bake - Zap (CD)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLabel: Patari Records\u003c\/li\u003e\n\u003cli\u003eFormat: CD 4-Page Ecopack\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eStyle: \u003cmeta charset=\"utf-8\"\u003eGarage Punk, Psychedelic Rock\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eCat. No. : \u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003ePRCD001\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eReleased: 2019\u003c\/span\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"description\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cbr\u003e\n\u003c\/div\u003e","brand":"Ossom Records","offers":[{"title":"Default Title","offer_id":49682697519446,"sku":null,"price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2659\/files\/a3083484558_10.jpg?v=1737120889"},{"product_id":"youth-valley-lullabies-for-adults-cd","title":"Youth Valley - Lullabies For Adults (CD)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLabel: Make Me Happy\u003c\/li\u003e\n\u003cli\u003eFormat: CD \u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eStyle: \u003cmeta charset=\"utf-8\"\u003eDream Pop, Alternative\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eCat. No. : \u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eMMH 015\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eReleased: 2023\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Ossom Records","offers":[{"title":"Default Title","offer_id":49682755617110,"sku":null,"price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2659\/files\/a3446175676_10.jpg?v=1737121230"},{"product_id":"ty-segall-freedom-band-freedom-s-goblin-tape","title":"Ty Segall \u0026 Freedom Band - Freedom’s Goblin (Tape)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLabel: Drag City\u003c\/li\u003e\n\u003cli\u003eFormat: Tape\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eStyle: \u003cmeta charset=\"utf-8\"\u003eGarage, Glam Rock\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eCat. No. : \u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eDC675CS\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eReleased: 2018\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eOverview\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"Freedom's Goblin\" flies us around the soundworld of Ty Segall in nineteen tracks, allowing him to do a bit everything for the free and the goblins of Freedom alike! Deep impact rock of all shapes and sizes and some of the most violent, passionate, funny and free pop songs of 2018.\u003c\/p\u003e","brand":"Ossom Records","offers":[{"title":"Default Title","offer_id":49682797166934,"sku":null,"price":14.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2659\/files\/1b40b7135c.jpg?v=1737121563"},{"product_id":"phil-seymour-if-you-dont-want-my-love-cd","title":"Phil Seymour - If You Don't Want My Love (CD)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLabel: Sunsert BLVD Records\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eStyle: Pop, Glam Rock\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eCat. No. : \u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eCD-SBR-7980\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eReleased: 2020\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eOverview\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRare collection of demos and masters recorded between Phil Seymour's Dwight Twilley Band era and his first solo album!\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn his short career, Phil Seymour was hailed by Shelter Records founders Leon Russell and Denny Cordell, received production offers from Phil Spector, played with Tom Petty, Chris Spedding, the Textones, Roy Orbison, and Del Shannon, and counted among his friends and fans people from the worlds of power pop, roots rock, New Wave and indie Rock. With kindred spirit Dwight Twilley, Phil forged a determination to bring back melodic pop songs. They spent several years mastering harmony, piano, guitar, drums and the art of crafting a high-quality song, building a home studio where they spent endless hours recording under the name Oister. In 1974 they set off for Los Angeles and renamed themselves the Dwight Twilley Band. Soon they were in the US Top 20 with \"I'm On Fire,\" but frustrations followed as Shelter dealt with financial difficulties, and Phil decided to go solo. Initially he struggled to find a foothold but once new wave hit America, the Phil Seymour Band stormed Hollywood and became one of the hottest acts on the circuit. Signed to Neil Bogart's Boardwalk label, by 1981 Phil was at #22 on Billboard's Hot 100 with the self-penned classic \"Precious To Me.\" More terrific releases\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003efollowed until his untimely death from cancer.\u003cbr\u003e\u003cbr\u003eIf You Don't Want My Love (Phil Seymour Archive Series Volume 6) contains 8 previously unreleased tracks recorded prior to his record deal with Boardwalk, including productions by Denny Cordell and Phil Spector. These spirited masters and demos with songs by John Prine, Dwight Twilley, Jeff Barry, and Ellie Greenwich, provide insight into the creative process of the early days of the Phil Seymour Band and the development of his first two albums.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Ossom Records","offers":[{"title":"Default Title","offer_id":49682838651222,"sku":null,"price":17.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2659\/files\/a3165353930_10.jpg?v=1737122125"}],"url":"https:\/\/mohxa.com\/collections\/ossom-records.oembed?page=6","provider":"Mohxa Clothing","version":"1.0","type":"link"}